A graduate of conservatoires in Paris and London and La Sorbonne, Rozenn le Trionnaire is a keen exponent of classical and contemporary music whose career is gaining recognition on both sides of the Channel.
Previously associate principal clarinet in Ostinato Orchestra, she is now regularly invited to play with orchestras such as Donna Musica, Prométhée and the Lucerne Festival Academy Orchestra which she joined in 2012. Rozenn has also worked with various acclaimed conductors including Pierre Boulez, Peter Eotvos, Semyon Bychkov, Jac Van Steen, Susanna Malkki, Pablo Heras-Casado and Clement Power.
Rozenn has a strong interest in 20th-Century Repertoire, and has featured as a soloist in performances conducted by Heinz Holliger and Kaspar Zehnder, as well as a rendition of Maratka’s concerto for clarinet with the Paris Conservatoire Orchestra, in the presence of the composer himself. In 2012 she recorded a chamber version of Mahler’s Symphony No. 4 and Debussy’s Prélude à l’après-midi d’un faune, under the baton of Trevor Pinnock. In addition to her involvement with orchestras, Rozenn is a devoted chamber musician.
In 2010 she co-founded the Ensemble Matisse and the Duo Kadañs, which went on to win the Woodbrass prize at the FNAPEC European competition. She has since been invited to play at a large number of festivals including London’s Kings Place Festival, ‘La Folle Journée’ in Nantes, Podium Festival in Germany and Musique en Velay, where she performed the French première of Eliott Carter’s clarinet quintet with strings. Other venues include the prestigious Salle Pleyel, Théatre des Champs-Elysées in Paris, Luxembourg Philharmonie and KKL in Lucerne.
Rozenn actively seeks new opportunities to expand her contemporary repertoire, and she is particularly passionate about solo clarinet music. In 2011 she was invited to perform Pierre Boulez’ Domaines for solo clarinet at the Queen Elizabeth Hall. Her performance, which was broadcast on BBC Radio 3, was a success and she was hailed a “prodigiously gifted young clarinettist” (The Times) showing a “dynamic and fascinating” playing (Musicalcriticism). Rozenn was also invited to perform a live broadcast of Olivier Messiaen’s Abîme des Oiseaux on France Musique, and Steve Reich’s New York Counterpoint at the Louise Blouin Institute. Her continuing commitment to contemporary music has also seen her work with composers such as Philippe Manoury, Micheal Jarrell, Isabel Mundry, Elena Firsova, Dan Dediu and Philip Cashian.
Having studied with the likes of Richard Vieille and Alain Damiens, Rozenn has taught at King’s College London and Conservatoire Hector Berlioz in Paris.